IDEOLOGICAL AND AESTHETIC FUNCTIONS OF SYMBOLISM IN THE WORKS OF OSCAR WILDE

Authors

  • Sobirova Umidaxon A'zamjon qizi Author

Keywords:

Oscar Wilde; symbolism; aestheticism; ideology; Victorian morality; The Picture of Dorian Gray; decadence; identity; art for art’s sake; paradox.

Abstract

This article investigates the ideological and aesthetic functions of symbolism in 
Oscar Wilde’s literary works, particularly The Picture of Dorian Gray, fairy tales, and 
critical essays. It argues that Wilde’s symbolic system operates simultaneously as an 
aesthetic strategy of beauty and as an ideological critique of Victorian morality and 
identity. Through close textual analysis, the study demonstrates that symbolism in 
Wilde’s works constructs dual meanings of surface and depth, exposing contradictions 
between art, ethics, and society. Wilde’s aestheticism transforms symbols into 
dynamic structures of philosophical and cultural reflection.

References

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Wilde, O. (1891). Intentions. London: James R. Osgood, McIlvaine

Ellmann, R. (1988). Oscar Wilde. New York: Alfred A. Knopf.

Raby, P. (1997). Oscar Wilde. Cambridge: Cambridge University

Dowling, L. (1994). The Decadent and the Making of Modernism.

London: Palgrave Macmillan.

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Frankel, N. (2000). Oscar Wilde’s Decorated World. Ann Arbor:

University of Michigan Press.

Published

2026-05-18

How to Cite

IDEOLOGICAL AND AESTHETIC FUNCTIONS OF SYMBOLISM IN THE WORKS OF OSCAR WILDE. (2026). ОБРАЗОВАНИЕ НАУКА И ИННОВАЦИОННЫЕ ИДЕИ В МИРЕ, 93(4), 201-207. https://alpharesearchs.com/index.php/obr/article/view/526